Michael Croman
American Landscapes

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Oil painting with cloth (con't)

The “happy accident”
One painting in particular, a small image portraying large towering, geometric rocks, back lighted against a hot magenta sky, became the talisman for my new work. I began the painting in a traditional manner, using brushes and layers of color to “build” the larger rocks, standing like sentinels against the sky. But I left an area to the left rough, intending it to become a background or indicator of scale and distance.

However, as I didn’t get to that small area on the left for a while, my rough painting had become set up and appeared too dark to serve its purpose. To undo the area, I applied turpentine repeatedly and used a very stiff brush to scrub off most of the paint. In the process of “cleaning out” the area, I also used my cotton cloths to stamp the surplus turpentine. The result was that I began to see a textural effect that appeared more like the surface of rocks than what I had already painted to the right.


That was the beginning of a long series of paintings, over three hundred by 2004 that continued my theme of rocks and rocky landscapes and seascapes but also focused on the potentials for painting more with cloths than with brushes.

Sentinels
20" x 24"

Oil on canvas 2001
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